On June 3,1989 I spent the better part of three hours onstage at Alice Tully Hall in New York's Lincoln Centre alongside Gunther Schuller, John Handy, Wynton Marsalis, John Abercrombie, George Adams and literally dozens of other legendary jazz musicians in what was called by the New York Times, “the jazz event of the decade.”…Read more Meeting the Underdog: A Mingus Epitaph Memoir
In my book Digitopia Blues – Race, Technology and the American Voice, I described Dylan's impact this way: Dylan signaled the triumph of oral poetry for white America, the reconciliation of the word and the body, of the singer and the song, of the poet and the community. From here on in, it was a…Read more Nobel Prize for Literature? Come on, Bob Dylan is an Oralist.
This is the fourth in a series of new posts that explain how you can apply the lessons of jazz to collaborate successfully. * Never Say No “It’s impossible for me to feel like there’s only one way to do a thing. There’s nothing wrong with having one way of doing it, but I think…Read more How to Collaborate – Lessons From Jazz – Lesson #4 : Never Say No
This is the third of a series of new posts that explain how you can apply the lessons of jazz to collaborate successfully. * Make Room "Only play what you hear. If you don't hear anything, don't play anything." Chick Corea A collaboration is a set of relationships and as in any relationship both parties…Read more How to Collaborate – Lessons From Jazz – Lesson #3 : Make Room
I turn 50 today. Ta-da! Not such a big deal to me, but hey, it's an excuse to share this little compilation of some 21 recordings from my lifetime as a musician and performing poet that I have recently compiled in a SoundCloud page. The tracks date from 1981 to 2013, and cover some of…Read more Semicentennial Sounds
If I have been away from this blog for a while (I have) it's only because I have been so totally focused on The Media League, my brand new digital business/digital culture venture, which has been exciting but all-consuming. Happily, here's a link to a new article about us featuring an interview with yours truly:…Read more The Media League in the Media
Thanks Max. Thanks Phil. Max is Max Middle, poetic curator, and Phil is Phil Minton, veteran vocal confabulator from the land beyond the sea and maestro of Ottawa's briefly resplendent Feral Choir, which I was part of, one of 25 growling, howling vocalists in sensible shoes. (Nikes in my case. Phil wore Chinese slippers.) We…Read more Ottawa’s Feral Choir : skyrrxifliggrzbtnmlif